Sample from a screenplay, showing dialogue and
action descriptions
A screenplay or script is a written work by
screenwriters for a film or television program. These screenplays can be
original works or adaptations from existing pieces of writing. In them, the
movement, actions, expression, and dialogues of the characters are also
narrated. A play for television is known as a teleplay.
Format and style
The format is structured in a way that one page
usually equates to one minute of screen time. In a “shooting script”, each
scene is numbered, and technical direction may be given. In a “spec” or a
“draft” in various stages of development, the scenes are not numbered, and
technical direction is at a minimum. The standard font for a screenplay is 12
point, 10 pitch Courier.
The major components are action and dialogue. The
“action” is written in the present tense. The “dialogue” are the lines the
characters speak. Unique to the screenplay (as opposed to a stage play) is the
use of slug lines.
The format consists of three aspects:
The interplay between typeface/font, line spacing
and type area, from which the standard of one page of text per one minute of
screen time is derived. In the United States letter size paper and Courier 12
point are mandatory; Europe uniformly uses A4 as the standard paper size
format, and has no a uniform font requirement.
The tab settings of the scene elements (dialogue,
scenes headings, transitions, parentheticals, etc.), which constitute the
screenplay’s layout.
The dialogue most be centered and the names must be
capitalized. Also the script must always begin like this in The United States
of America, Ex. “FADE IN TO A ECU of Ricky as he explains the divorce to Bob.”,
and must always have this at the end, “FTB” or “FADE TO BLACK”.
The style consists of a grammar that is specific to
screenplays. This grammar also consists of two aspects:
A prose that is manifestation-oriented, i.e. focuses
largely on what is audible and what is visible on screen. This prose may only
supply interpretations and explanation (deviate from the manifestation-oriented
prose) if clarity would otherwise be adversely affected.
Codified notation of certain technical or dramatic
elements, such as scene transitions, changes in narrative perspective, sound
effects, emphasis of dramatically relevant objects and characters speaking from
outside a scene.
An overview of many classic published works on `How
To Write a Screenplay’ is Joe Velikovsky’s free “Guide To Screenwriting”. One
of Hollywood’s widely used feature screenwriting story structure texts is Blake
Snyder’s “Save The Cat!” series.
Types of screenplays
Screenplays can generally be divided into two kinds;
a ‘spec’ screenplay, and a commissioned screenplay.
A ‘spec’ or speculative screenplay is a script
written with no upfront payment, or a promise of payment. The content is
usually invented solely by the screenwriter, though spec screenplays can also
be based on established works, or real people and events.
A commissioned screenplay is written by a hired
writer. The concept is usually developed long before the screenwriter is
brought on, and usually has many writers work on it before the script is given
a green-light.
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